1
00:00:00,220 --> 00:00:02,860
Bell tower
2
00:00:03,020 --> 00:00:10,100
...
3
00:00:10,460 --> 00:00:13,540
...
4
00:00:13,740 --> 00:00:23,260
...
5
00:00:27,660 --> 00:00:29,460
David sighs.
6
00:00:34,660 --> 00:00:37,380
*-This week, the show
is sponsored by Oddson.
7
00:00:37,580 --> 00:00:41,180
The season ends
and Malmö led the entire season.
8
00:00:41,580 --> 00:00:42,860
But will they falter?
9
00:00:43,100 --> 00:00:44,220
Can AIK come back?
10
00:00:44,500 --> 00:00:46,900
Hard to say.
It seems complicated.
11
00:00:47,140 --> 00:00:48,580
But that would be...
12
00:00:49,420 --> 00:00:50,940
Knocks on the door
13
00:01:04,980 --> 00:01:06,100
-Marianne?
14
00:01:27,540 --> 00:01:31,860
UNFIDELS
15
00:01:39,300 --> 00:01:41,260
*Melancholic music
16
00:01:41,500 --> 00:02:00,620
...
17
00:02:00,820 --> 00:02:02,220
-Wow...
18
00:02:03,900 --> 00:02:05,300
-Well done to everyone.
19
00:02:06,140 --> 00:02:07,980
Honestly, it's something.
20
00:02:08,140 --> 00:02:09,380
Well done.
21
00:02:09,580 --> 00:02:12,340
Applause
22
00:02:12,500 --> 00:02:19,660
...
23
00:02:19,860 --> 00:02:21,660
-It's superb!
24
00:02:22,900 --> 00:02:24,460
Really, what a film!
25
00:02:27,340 --> 00:02:28,300
-Uh...
26
00:02:29,620 --> 00:02:31,780
I... I'm going to go out for a second.
27
00:02:33,140 --> 00:02:34,100
-That's it.
28
00:02:35,260 --> 00:02:38,340
And Marianne is breathtaking.
What an actress.
29
00:02:56,220 --> 00:02:58,220
-4 more weeks,
a new editor,
30
00:02:58,420 --> 00:02:59,700
and it will be good.
31
00:02:59,940 --> 00:03:03,100
-Maybe we can ask
the opinion of others, first.
32
00:03:08,460 --> 00:03:11,260
Why did you leave me
make this shitty movie?
33
00:03:15,780 --> 00:03:19,180
-I have to tell you
that we had great news.
34
00:03:22,220 --> 00:03:25,100
-Spektrum wants the movie
in opening.
35
00:03:26,700 --> 00:03:30,980
Roffe, do you think we can go out?
an A copy in 3 weeks?
36
00:03:34,580 --> 00:03:35,900
Ah, well there you are.
37
00:03:40,780 --> 00:03:41,940
What are you doing ?
38
00:03:42,380 --> 00:03:43,860
-It stinks in there.
39
00:03:50,660 --> 00:03:51,780
-What a projection!
40
00:03:52,540 --> 00:03:56,500
-Marianne!
It was... extraordinary.
41
00:04:00,420 --> 00:04:02,460
-We're going to the Spektrum Festival.
42
00:04:04,300 --> 00:04:05,620
-How so ?
43
00:04:05,940 --> 00:04:08,660
-It's not official,
but you can talk to Markus about it.
44
00:04:08,860 --> 00:04:10,260
-Isabelle wants to go home.
45
00:04:10,620 --> 00:04:31,340
...
46
00:04:31,660 --> 00:04:34,460
Repetitive clicking sounds
47
00:04:34,660 --> 00:04:38,060
...
48
00:04:39,940 --> 00:04:56,780
...
49
00:04:57,020 --> 00:04:57,940
Isabelle...
50
00:04:58,340 --> 00:04:59,780
-Stop doing that!
51
00:05:10,580 --> 00:05:13,020
So you really have nothing to say?
52
00:05:15,500 --> 00:05:18,060
-Yes, this scene was very...
convincing.
53
00:05:21,420 --> 00:05:22,580
-What scene?
54
00:05:23,660 --> 00:05:26,820
-Uh, the one with the...
both guys.
55
00:05:33,580 --> 00:05:36,500
Melancholic music
56
00:05:36,780 --> 00:06:08,940
...
57
00:06:09,220 --> 00:06:10,620
-Mom was naked,
in the movie?
58
00:06:14,500 --> 00:06:15,700
-Yes.
59
00:06:16,980 --> 00:06:18,740
In a few scenes, yes.
60
00:06:20,140 --> 00:06:23,580
-That means she shows
his body to everyone?
61
00:06:25,740 --> 00:06:26,820
-Let's just say...
62
00:06:27,500 --> 00:06:29,460
it's part of the story.
63
00:06:33,420 --> 00:06:35,700
“Susanna”, basically,
it's a book.
64
00:06:36,580 --> 00:06:38,460
And David adapted it into a film.
65
00:06:41,740 --> 00:06:44,180
-David saw mom naked,
him too?
66
00:06:47,900 --> 00:06:51,260
-But...
David is part of the family.
67
00:06:52,740 --> 00:06:54,380
It's not that serious.
68
00:06:54,540 --> 00:06:57,220
-We can't trust him.
Really not.
69
00:07:04,180 --> 00:07:05,500
-Why do you say that ?
70
00:07:10,700 --> 00:07:13,020
-Because he doesn't hold
his promises.
71
00:07:14,020 --> 00:07:15,820
-What did he promise?
72
00:07:18,500 --> 00:07:21,300
-He stole a drawing
that I had given him.
73
00:07:24,540 --> 00:07:25,900
-How so ?
74
00:07:26,060 --> 00:07:29,540
-The scene with the bridal veil,
when she is naked...
75
00:07:30,940 --> 00:07:33,540
He had promised
to show it to anyone.
76
00:07:35,420 --> 00:07:39,380
-You mean you offered
a drawing for David
77
00:07:39,740 --> 00:07:41,020
with naked people?
78
00:07:44,460 --> 00:07:47,340
-No, not naked
like in this disgusting movie.
79
00:07:48,420 --> 00:07:50,500
-But you haven't seen the film.
80
00:07:52,700 --> 00:07:53,980
-No. So what?
81
00:08:02,780 --> 00:08:04,980
I went
in the projection booth.
82
00:08:06,740 --> 00:08:08,300
-Why did you do that?
83
00:08:08,620 --> 00:08:10,500
-Because it interested me.
84
00:08:14,580 --> 00:08:17,940
-Mom plays a role.
It's his job to do that.
85
00:08:20,580 --> 00:08:23,180
-Me, I found
that it was very real.
86
00:08:37,060 --> 00:08:38,740
-Isabelle saw the film.
87
00:08:44,820 --> 00:08:45,940
-Ah...
88
00:08:49,660 --> 00:08:51,180
She sighs.
89
00:08:56,820 --> 00:09:00,700
I... I didn't realize
that it would also be crude.
90
00:09:01,700 --> 00:09:02,620
-That's to say ?
91
00:09:06,020 --> 00:09:07,500
-Also explicit.
92
00:09:18,140 --> 00:09:21,220
You have to explain to him
how the film was made.
93
00:09:21,380 --> 00:09:23,100
That it's not reality.
94
00:09:25,220 --> 00:09:27,340
It's not mine
to explain that to him.
95
00:09:32,180 --> 00:09:35,180
Melancholic music
96
00:09:35,420 --> 00:10:33,420
...
97
00:10:33,740 --> 00:10:36,820
-I said to myself
that maybe she was at your house.
98
00:10:38,420 --> 00:10:39,500
Yes.
99
00:10:40,420 --> 00:10:41,940
Does... Yes.
100
00:10:45,460 --> 00:10:47,140
Yes. Yes yes.
101
00:10:49,420 --> 00:10:50,860
Can I pass?
102
00:10:51,140 --> 00:11:02,500
...
103
00:11:02,700 --> 00:11:04,260
Doorbell
104
00:11:04,580 --> 00:11:10,100
...
105
00:11:10,340 --> 00:11:11,420
Isabelle.
106
00:11:14,420 --> 00:11:15,780
...
107
00:11:15,980 --> 00:11:18,020
No, come over here.
108
00:11:23,820 --> 00:11:24,820
Hi.
109
00:11:28,340 --> 00:11:29,300
-Hi.
110
00:11:36,780 --> 00:11:38,220
-It's been a long time.
111
00:11:39,780 --> 00:11:40,860
-Yes.
112
00:11:41,580 --> 00:11:42,940
Yes, it's true.
113
00:11:44,540 --> 00:11:45,900
-Do you want a coffee?
114
00:11:46,180 --> 00:11:47,980
-Yes, yes, I want to.
115
00:12:08,900 --> 00:12:10,540
Did you call the hospital?
116
00:12:11,220 --> 00:12:14,100
-Uh... Yes.
I spoke to a nurse.
117
00:12:14,340 --> 00:12:16,340
She said she would call me
118
00:12:16,620 --> 00:12:17,780
if she came back.
119
00:12:18,820 --> 00:12:19,780
Maybe she is
120
00:12:20,140 --> 00:12:21,380
party to Sandbukta.
121
00:12:23,300 --> 00:12:24,300
Sit down.
122
00:12:28,260 --> 00:12:31,060
-We should report
his disappearance to the police.
123
00:12:33,180 --> 00:12:34,180
-Don't you want to sit down?
124
00:12:34,500 --> 00:12:36,460
-Yes, yes. Yes.
125
00:12:40,580 --> 00:12:42,620
I thought it would be better
126
00:12:42,980 --> 00:12:44,580
to take her back to the hospital.
127
00:12:48,700 --> 00:12:50,180
-Did she drink this weekend?
128
00:12:52,860 --> 00:12:55,940
-You know, I'm not
really a nurse, me.
129
00:13:14,100 --> 00:13:16,660
-You saw like Tobias
looks like his grandfather?
130
00:13:17,060 --> 00:13:19,780
That's dad,
and Tobias at the same age.
131
00:13:27,580 --> 00:13:30,020
We thought he had Parkinson's,
but no. How are you.
132
00:13:32,500 --> 00:13:35,380
It's just rheumatism.
And so...
133
00:13:36,860 --> 00:13:40,100
they went to California,
for good weather.
134
00:13:41,620 --> 00:13:42,580
-Ah...
135
00:13:46,860 --> 00:13:49,020
-Mom is probably in Sandbukta.
136
00:13:50,460 --> 00:13:52,660
So...I can go
137
00:13:53,020 --> 00:13:54,100
by bus.
138
00:13:54,300 --> 00:13:57,180
-Ah, that's for sure
that she will be happy to see you.
139
00:13:58,060 --> 00:13:59,020
-Or angry.
140
00:14:00,380 --> 00:14:01,420
-Angry ?
141
00:14:02,500 --> 00:14:05,580
-She is often angry,
when she sees me.
142
00:14:05,900 --> 00:14:09,540
She says sometimes she's ashamed
just by looking at me.
143
00:14:11,060 --> 00:14:13,340
And when she is ashamed,
she gets angry.
144
00:14:24,580 --> 00:14:27,060
-I...I promised the doctor
145
00:14:27,260 --> 00:14:30,260
that she would come home tomorrow morning
at the hospital.
146
00:14:32,460 --> 00:14:34,420
I think I'm going to go there.
147
00:14:35,500 --> 00:14:36,780
NOW.
148
00:14:38,300 --> 00:14:39,420
THANKS.
149
00:14:39,620 --> 00:14:43,340
Melancholic music
150
00:14:43,700 --> 00:14:53,060
...
151
00:14:53,300 --> 00:14:54,900
-Oh! He is there.
152
00:14:55,100 --> 00:14:56,420
That's it, I have it!
153
00:14:58,100 --> 00:15:00,100
I found my passport!
154
00:15:00,300 --> 00:15:08,300
...
155
00:15:08,500 --> 00:15:10,140
Are you coming to say goodbye?
156
00:15:11,460 --> 00:15:12,500
-No, it's okay.
157
00:15:14,340 --> 00:15:16,900
-Oh... But I want my hug.
158
00:15:19,500 --> 00:15:21,380
I love you, never forget it.
159
00:15:21,620 --> 00:15:58,180
...
160
00:15:58,460 --> 00:16:00,620
-What are we going to do,
both of us?
161
00:16:02,260 --> 00:16:06,340
You want us to organize
our own festival? Eh ?
162
00:16:06,540 --> 00:16:33,180
...
163
00:16:36,340 --> 00:16:38,580
Intriguing music
164
00:16:38,780 --> 00:17:05,300
...
165
00:17:05,580 --> 00:17:07,100
-Is there anyone?
166
00:17:07,420 --> 00:17:09,740
Melancholic music
167
00:17:09,940 --> 00:17:26,380
...
168
00:17:26,780 --> 00:17:31,300
Marianne Vogler:
Being a mother, the role of my life!
169
00:17:31,660 --> 00:18:22,820
...
170
00:18:23,020 --> 00:18:26,420
THERE IS A MONSTER IN ME!
171
00:18:26,780 --> 00:18:29,140
Tension music
172
00:18:29,300 --> 00:18:41,020
...
173
00:18:41,140 --> 00:18:42,260
-Marianne!
174
00:18:42,460 --> 00:19:06,260
...
175
00:19:06,460 --> 00:19:09,140
Bell tower
176
00:19:09,500 --> 00:19:11,420
...
177
00:19:11,660 --> 00:19:13,180
Jazz music
178
00:19:13,540 --> 00:19:15,460
Hubbub
179
00:19:15,660 --> 00:19:20,140
...
180
00:19:20,340 --> 00:19:21,620
- See you right away.
181
00:19:21,900 --> 00:19:45,780
...
182
00:19:47,340 --> 00:19:48,580
-It's me.
183
00:19:58,580 --> 00:19:59,580
Yes.
184
00:20:00,300 --> 00:20:01,460
And you ?
185
00:20:01,580 --> 00:20:04,340
-Yes, yes, it's almost the same.
186
00:20:05,220 --> 00:20:06,300
-It's not bad.
187
00:20:07,180 --> 00:20:08,500
-Yeah. It's pretty good.
188
00:20:26,140 --> 00:20:27,020
-Wow.
189
00:20:27,940 --> 00:20:29,580
Look how beautiful it is.
190
00:20:35,420 --> 00:20:37,420
What do we do?
Shall we have a bite to eat?
191
00:20:37,660 --> 00:20:38,620
-But no,
192
00:20:40,700 --> 00:20:41,660
-What?
193
00:20:42,860 --> 00:20:45,340
The screening begins
in 20 minutes.
194
00:20:45,620 --> 00:20:47,380
-Hop, hop, hop, hop, hop, hop.
195
00:20:49,020 --> 00:20:50,020
It's going to be fine.
196
00:20:52,660 --> 00:20:54,460
We're going to have a good time.
197
00:20:55,180 --> 00:20:56,140
Eh ?
198
00:21:00,220 --> 00:21:03,340
-Okay... I'm going to take a shower.
199
00:21:08,900 --> 00:21:10,500
-What does that look mean?
200
00:21:10,820 --> 00:21:13,700
-That means:
“Go to your room and get ready.”
201
00:21:22,660 --> 00:21:25,580
Melancholic jazz music
202
00:21:26,020 --> 00:21:44,460
...
203
00:21:44,820 --> 00:21:46,700
-Bring them in immediately.
204
00:21:46,900 --> 00:21:48,660
Hello, hello!
205
00:21:48,860 --> 00:21:49,940
This way, come in.
206
00:21:54,980 --> 00:21:56,460
Yes. Did you have a good trip?
207
00:21:56,820 --> 00:21:58,980
-Yes, we just had
problems at the hotel.
208
00:21:59,260 --> 00:22:02,020
-Marianne, give me your coat.
209
00:22:14,100 --> 00:22:17,340
-It’s crazy to get here.
Everything is happening so fast.
210
00:22:17,500 --> 00:22:24,500
...
211
00:22:24,660 --> 00:22:27,540
*-I ask you
to welcome Marianne Vogler
212
00:22:27,900 --> 00:22:29,180
and David Howard,
213
00:22:29,420 --> 00:22:32,020
the main actress
and the director.
214
00:22:32,220 --> 00:22:35,460
Applause
215
00:22:35,620 --> 00:22:59,180
...
216
00:22:59,380 --> 00:23:01,820
*Children's choirs
217
00:23:02,060 --> 00:23:06,260
...
218
00:23:06,460 --> 00:23:07,820
*-Do you want to show yourself to him?
219
00:23:13,460 --> 00:23:15,980
*-Yes, I want to.
220
00:23:18,460 --> 00:23:19,900
Kiss me.
221
00:23:21,220 --> 00:23:22,500
Yes...
222
00:23:22,660 --> 00:23:25,100
*Moans of pleasure
223
00:23:25,300 --> 00:23:31,620
...
224
00:23:31,940 --> 00:23:34,900
Melancholic jazz music
225
00:23:35,220 --> 00:23:55,900
...
226
00:23:56,260 --> 00:23:57,540
-How much did it cost?
227
00:23:57,820 --> 00:24:00,580
Who financed it?
And where can we see it?
228
00:24:00,900 --> 00:24:01,780
-I think it's
229
00:24:02,180 --> 00:24:03,980
a question
for the man to my left.
230
00:24:04,140 --> 00:24:05,620
-I would say it was
231
00:24:05,900 --> 00:24:09,380
a fairly normal budget
for Sweden.
232
00:24:09,700 --> 00:24:12,100
And as for the release,
233
00:24:12,340 --> 00:24:15,540
we would like to achieve
to reach the Slovak public.
234
00:24:15,700 --> 00:24:18,700
-Peter Kovac.
A question for Allan Bergendahl.
235
00:24:18,900 --> 00:24:20,660
The film directly addresses
236
00:24:21,020 --> 00:24:24,340
intimate themes around desire
and vulnerability.
237
00:24:24,580 --> 00:24:26,140
Is it more complicated to...
238
00:24:26,540 --> 00:24:52,660
...
239
00:24:53,580 --> 00:24:54,940
-David!
240
00:24:56,420 --> 00:24:58,980
Wait for me! Stop!
241
00:25:02,060 --> 00:25:05,180
...
242
00:25:05,340 --> 00:25:07,620
-Good evening. Room 107.
243
00:25:08,900 --> 00:25:10,380
-Room 107...
244
00:25:10,580 --> 00:26:40,100
...
245
00:26:45,420 --> 00:26:47,260
-Would you like us...
246
00:26:47,420 --> 00:26:49,300
Should we wait a little bit?
247
00:26:55,540 --> 00:26:56,980
I just want to...
248
00:26:58,820 --> 00:27:00,300
to lie there.
249
00:27:02,220 --> 00:27:03,340
Come on.
250
00:27:06,380 --> 00:27:24,500
...
251
00:27:27,380 --> 00:27:29,780
How are things between you and Markus?
252
00:27:35,580 --> 00:27:37,580
-What do you mean?
253
00:27:40,460 --> 00:27:42,460
-I mean, lovingly.
254
00:27:46,260 --> 00:27:48,300
-Are we doing a lot
love?
255
00:27:51,420 --> 00:27:52,380
-Hmm.
256
00:27:56,620 --> 00:28:00,260
-You don't think it would be
a little disloyal to talk about that?
257
00:28:02,780 --> 00:28:03,740
-If.
258
00:28:06,580 --> 00:28:09,980
-But both,
Don't you talk about that among yourselves?
259
00:28:11,020 --> 00:28:12,300
Eh ?
260
00:28:12,460 --> 00:28:16,180
-No. You know, we men
we never talk about that.
261
00:28:21,300 --> 00:28:22,300
Pardon.
262
00:28:24,100 --> 00:28:26,460
I shouldn't have
ask you this question.
263
00:28:31,300 --> 00:28:33,700
-Actually, you see,
it's quite curious.
264
00:28:35,420 --> 00:28:37,100
He who is so...
265
00:28:37,300 --> 00:28:39,820
considerate and calm, in life,
266
00:28:41,220 --> 00:28:44,420
in bed, he's the dominant type.
267
00:28:56,420 --> 00:28:58,900
Yes, like a... an animal.
268
00:29:02,380 --> 00:29:03,820
-Like an animal?
269
00:29:06,340 --> 00:29:07,380
-Hmm.
270
00:29:09,300 --> 00:29:11,140
-And what kind of animal?
271
00:29:11,820 --> 00:29:13,540
-I don't know, it's...
272
00:29:14,580 --> 00:29:15,740
He is...
273
00:29:16,500 --> 00:29:18,220
I don't know. Let go.
274
00:29:32,940 --> 00:29:33,940
And... yes,
275
00:29:34,300 --> 00:29:37,100
it’s been really great.
276
00:29:37,220 --> 00:29:38,260
In Italian
277
00:29:38,420 --> 00:29:40,940
Comments in Italian
278
00:29:41,740 --> 00:29:42,860
...
279
00:29:43,100 --> 00:29:44,940
-In what way?
280
00:29:45,140 --> 00:29:46,300
-I gave the book
281
00:29:46,660 --> 00:29:47,860
“Susanna” to David,
282
00:29:48,140 --> 00:29:49,780
he read it, and...
283
00:29:51,260 --> 00:29:53,020
And then, there you go.
284
00:29:53,180 --> 00:29:55,900
Then it was...
quite an adventure.
285
00:29:58,340 --> 00:29:59,780
The journalist speaks in Italian.
286
00:30:00,060 --> 00:30:02,580
...
287
00:30:02,980 --> 00:30:07,140
-So, it's Mrs. Vogler
Who gave you the idea for the film?
288
00:30:14,860 --> 00:30:15,980
-Yes.
289
00:30:17,940 --> 00:30:21,300
-You should ask David
what you asked me.
290
00:30:21,540 --> 00:30:24,060
The translator speaks in Italian.
291
00:30:24,300 --> 00:30:26,820
The journalist speaks in Italian.
292
00:30:27,100 --> 00:30:33,820
...
293
00:30:34,020 --> 00:30:36,420
-You think
that as a director,
294
00:30:36,620 --> 00:30:40,820
you have a talent for
represent female sexuality?
295
00:30:44,060 --> 00:30:45,100
-Hmm...
296
00:30:53,340 --> 00:30:54,940
A cyclist approaches.
297
00:30:55,180 --> 00:30:56,700
-Ouch...
298
00:30:56,940 --> 00:31:00,420
...
299
00:31:09,980 --> 00:31:11,260
Is anyone there?
300
00:31:11,500 --> 00:31:12,620
-Marianne?
301
00:31:13,820 --> 00:31:15,460
-But...
what are you doing here?
302
00:31:27,300 --> 00:31:28,540
-We were worried.
303
00:31:31,460 --> 00:31:32,780
-Who are we?
304
00:31:33,060 --> 00:31:34,700
-Isabelle and me.
Return
305
00:31:34,980 --> 00:31:36,140
at the hospital.
306
00:31:36,380 --> 00:31:39,140
-I can manage.
I don't need you.
307
00:31:40,300 --> 00:31:43,580
-Wait, that's how it is
what will it be like between us?
308
00:31:48,780 --> 00:31:52,180
-Listen. I saw you
through my bedroom window
309
00:31:52,380 --> 00:31:54,060
the first time you came to Backa,
310
00:31:54,220 --> 00:31:56,820
and I saw you rushing
in your car
311
00:31:57,180 --> 00:31:58,100
to escape.
312
00:31:59,820 --> 00:32:03,020
-Me, I rather believe
that it’s you who’s running away.
313
00:32:04,220 --> 00:32:06,300
-You didn't want me at your house.
314
00:32:07,420 --> 00:32:08,540
-Eh ?
315
00:32:08,740 --> 00:32:10,020
He laughs.
316
00:32:10,220 --> 00:32:11,980
No, but...
317
00:32:13,060 --> 00:32:16,300
-Yes, go away, first
that I throw other truths at you.
318
00:32:32,420 --> 00:32:33,660
It starts.
319
00:32:35,980 --> 00:32:38,020
He growls.
320
00:32:47,500 --> 00:32:50,180
Ah!
What ? Did you forget something?
321
00:32:50,460 --> 00:32:54,180
-You really think it's me
Who's afraid of the truth?
322
00:32:56,620 --> 00:32:59,540
Fog horn
323
00:33:10,940 --> 00:33:12,620
-I'll let you look.
324
00:33:18,460 --> 00:33:19,740
-Want to get a starter?
325
00:33:24,580 --> 00:33:25,660
-We can
326
00:33:25,940 --> 00:33:28,620
toast to Scandinavian freedom.
327
00:33:29,540 --> 00:33:30,500
-Health.
328
00:33:44,460 --> 00:33:45,460
-How are you ?
329
00:33:46,180 --> 00:33:47,140
-Yes.
330
00:33:51,580 --> 00:33:54,820
I was just thinking
to what you said about...
331
00:33:54,980 --> 00:33:56,540
He clears his throat.
332
00:33:56,740 --> 00:33:58,900
From Markus,
which is like an animal.
333
00:33:59,780 --> 00:34:00,700
She sighs.
334
00:34:01,940 --> 00:34:02,940
What ?
335
00:34:17,380 --> 00:34:19,380
-I don't know,
he is like a...
336
00:34:22,420 --> 00:34:24,300
Like an animal in heat.
337
00:34:24,540 --> 00:34:26,220
-An animal in heat?
338
00:34:35,380 --> 00:34:36,620
Is that it?
339
00:34:36,900 --> 00:34:39,100
-No, that's not it
that I had in mind.
340
00:34:51,860 --> 00:34:53,340
A dog?
341
00:35:00,300 --> 00:35:01,300
-Yes, it amuses me.
342
00:35:01,580 --> 00:35:02,860
I like to guess.
343
00:35:09,700 --> 00:35:11,020
-Let go.
344
00:35:16,860 --> 00:35:17,820
-All right.
345
00:35:19,500 --> 00:35:22,540
Melancholic music
346
00:35:22,780 --> 00:35:25,580
Okay, let's drink
a last drink at the hotel?
347
00:35:25,780 --> 00:35:30,060
...
348
00:35:30,220 --> 00:35:31,220
Come!
349
00:35:31,620 --> 00:35:35,900
...
350
00:35:36,140 --> 00:35:37,540
Ah! My little Allan!
351
00:35:37,780 --> 00:35:39,060
-Ah, you are here!
352
00:35:39,260 --> 00:35:41,820
Where have you been?
Look at the reviews.
353
00:35:42,020 --> 00:35:43,540
Quite promising.
354
00:35:43,900 --> 00:35:47,100
-Oh dear, "Susanna"...
Oh my!
355
00:35:47,460 --> 00:35:48,380
Look at this!
356
00:35:48,700 --> 00:36:06,220
...
357
00:36:18,980 --> 00:36:21,820
-Thank you for tonight.
See you tomorrow for breakfast.
358
00:36:22,100 --> 00:36:23,060
Good night.
359
00:36:26,420 --> 00:36:27,420
-Yeah. Good.
360
00:36:27,740 --> 00:36:30,300
Sir,
please, some champagne.
361
00:36:30,540 --> 00:37:04,060
...
362
00:37:04,260 --> 00:37:06,060
There is a knock at the door.
363
00:37:08,540 --> 00:37:10,180
...
364
00:37:11,780 --> 00:37:15,260
-Room service for Mister Howard.
365
00:37:15,500 --> 00:37:16,860
Female laughter
366
00:37:31,620 --> 00:37:32,980
-The bar is closed.
367
00:37:38,700 --> 00:37:40,780
What is it?
368
00:37:40,980 --> 00:37:41,980
-Nothing.
369
00:37:45,060 --> 00:38:24,500
...
370
00:38:26,580 --> 00:38:27,540
No, stop.
371
00:38:31,740 --> 00:38:33,180
-What is it?
372
00:38:35,340 --> 00:38:38,540
-You better go back
sleep in your room.
373
00:38:48,940 --> 00:38:49,940
No, but...
374
00:38:51,420 --> 00:38:54,740
"I gave the book to David,
he read it, and that's it.
375
00:38:56,300 --> 00:38:58,380
“It’s been quite an adventure.”
376
00:39:07,060 --> 00:39:09,300
Sorry, but there,
really, it's too much.
377
00:39:17,020 --> 00:39:17,980
-No, but shit.
378
00:39:18,300 --> 00:39:19,540
-It's just...
379
00:39:22,140 --> 00:39:25,060
-Fuck, but it's you
who should be ashamed.
380
00:39:29,740 --> 00:39:32,180
With your Susanna
completely liberated.
381
00:39:32,980 --> 00:39:36,300
It really looks bad on you,
to play the moral fathers.
382
00:39:38,100 --> 00:39:40,460
She goes out and slams the door.
383
00:39:51,380 --> 00:39:53,020
Barking
384
00:39:57,540 --> 00:39:59,780
I acted without any shame.
385
00:40:09,860 --> 00:40:13,100
A state of euphoria
that makes you forget who you are.
386
00:40:19,260 --> 00:40:22,660
And this state,
it's like a voracious hunger,
387
00:40:22,940 --> 00:40:25,380
which can invade you entirely.
388
00:40:27,100 --> 00:40:28,620
You call it love,
389
00:40:28,780 --> 00:40:31,340
but in reality,
it's just drunkenness.
390
00:40:38,340 --> 00:40:42,700
-This aged skin
who has covered you over the years,
391
00:40:42,980 --> 00:40:45,820
it gives the illusion
that you have a form
392
00:40:46,180 --> 00:40:49,460
of wisdom,
but you're still the same moron.
393
00:40:50,380 --> 00:40:52,180
The same moron and the same selfish person.
394
00:40:52,580 --> 00:40:55,020
-What can you possibly know?
of my life?
395
00:40:55,300 --> 00:40:57,260
-You can say this kind of thing
396
00:40:57,460 --> 00:40:59,980
because
you have never loved anyone.
397
00:41:00,980 --> 00:41:02,380
-In this case, there are two of us.
398
00:41:04,700 --> 00:41:06,460
-You never loved me.
399
00:41:07,820 --> 00:41:09,620
It wasn't the desire
who animated you.
400
00:41:10,060 --> 00:41:10,980
-Oh no?
401
00:41:12,860 --> 00:41:13,820
So what was it?
402
00:41:15,020 --> 00:41:16,260
-It was Markus.
403
00:41:19,540 --> 00:41:20,980
-Markus?
404
00:41:21,260 --> 00:41:23,860
Soft melody on the piano
405
00:41:24,260 --> 00:41:31,380
...
406
00:41:31,580 --> 00:41:32,860
-And your jealousy.
407
00:41:33,060 --> 00:41:39,780
...
408
00:41:40,180 --> 00:41:41,860
Your inferiority complex.
409
00:41:42,140 --> 00:41:57,420
...
410
00:41:57,620 --> 00:42:01,060
-No, but you don't have the right
to throw something like that at me!
411
00:42:01,420 --> 00:42:02,820
-It's not up to you to decide.
412
00:42:03,140 --> 00:42:05,780
-Don't decide
what I have the right to do!
413
00:42:06,140 --> 00:42:48,940
...
414
00:42:49,780 --> 00:42:50,940
French version
IMAGINE
415
00:42:51,180 --> 00:42:52,300
Artistic direction
Anneliese FROMONT
416
00:42:52,500 --> 00:42:53,540
Adaptation
Abel-Antoine VIAL
417
00:42:53,820 --> 00:42:54,700
Recording and mixing
Anne-Pascale DAVID
418
00:42:54,940 --> 00:42:55,900
With the voices of:
419
00:42:56,180 --> 00:42:57,420
Marianne: Anne LOIRET
Young Marianne: Marie GLORIEUX
420
00:42:57,740 --> 00:42:59,780
Fiction Unit ARTE France
421
00:42:59,980 --> 00:43:03,260
Supervision of French versions
Pascale Casadesus
422
00:43:03,460 --> 00:43:06,460
SME subtitling: VECTRACOM